PITTORE- SCULTORE- INCISORE - CERAMISTA
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| Raffaele Romano |
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Raffaele Romano is been born to Comiso (RG) the 26/04/1944. Since young it attends the bottega of the scultore Biagio Frisa, near which it undertakes the mysterious distance of the art that still today is predominant part of its life. At the same time it attends the school of art with the masters Orazio Pelligra, Biagio Brancato, Luigi Gheno, Wanda Poletti and the director Germano Belletti. Intense they have been the instructions and sometimes it lives arguments to us on the art; the experiments of collective extensions near the communal civic library of Comiso; the successes and the failures that they provoke longest you debate yourself. This has allowed the small birth botteghe where everyone realized just the dream. In 1960 achieved the licence of the art school, after short stays to Naples, Rome, Florence it is settled down to Faenza, where attracted from the experience of bottega it collaborates with the ceramisti Riccardo Gatti, Silvano Fabbri, Goffredo Gaeta, Silvestro Lega, Carl Zauli and Gaetano Baglieri. Later on it lend its work near SAM di San Marino and the ceramics of Rimini. In 1962 it re-enters to Comiso and it achieves the diploma of Master of Art; subsequently it is moved before to Rome and then to Milan but being a period of crisis and riscuotendo the favor regarding the profuse engagement does not decide to move itself to Metz. Here the important happens encounter with Maxime Fance with which to the beginnings it restores one series of statues and honor. Later on it plans the decoration of the study of the same one, subsequently the decoration near knows it Foyer to it DES Jeunes Travailleurs. To Metz the encounter with the scultore Pierre Koppe always allows it to realize Fontana for garden, decorations and furnishes for various places. Still to Metz the encounter with Pussette allows it to know the French, Paris and other friends touching with hand the difficulties but at the same time gioisce of the linfa that Paris gives off. Here it attends the Beaux Art and it lives tumultuous' the 68. For short periods it is moved in Germany to Hannover and Amburgo where it enters in contact with new experiences of job, nearly often wanderer between museums and galleries of Art, Indians continue, this experience between Copenaghen and Stockholm. It re-enters in Italy, where settles down to Milan still the memories of the motions Parisians are present and active, but fortunate you meet allow it to continue with tenacity its distance near the printing office of chalcographic art of Franco Sciardelli where it can mature with enthusiasm the distance of the incisorie limbs. Here the merchant of press knows Marcello Tabanelli who will be for longest time its collector; the painter Eugene Tomiolo with which he connects a society that will allow to a strong change in the painting rivalorizzando the technique it like shape of high artistic expression; at the same time the Faustus Melotti collaborates with the scultore who beyond to being Master will give a strong impulse to its artistic formation. In 1972 with the Garibaldi group a cooperative of Art creates that becomes a espositivo center for the svilluppo of young artists, subsequently with Denti and Baraldi gives to life to “Note-book Apograph” collection of artistic papers of several artists. In 1974 the poet meets Gonzalo Alvarez who beyond to being a fan collector will be its greater singer, will introduce designer the Piero Fornasetti who propizierà the important personal extensions and collective which: The dead women arrive in first class, Venice alive, the signs color to you. Meaningful the works realized for the commission of the Italian Credit Bank in the cities of Naples, Rome, Talsano (TA), Milan, Luxemburg, Frankfurt.
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